These graphic scores and responses came about as an independent practice in order to respond to, and exit the academic space I had been occupying during my MFA in Dance and Embodied Practice. This series is called Stonehenge. It negotiates the material, the imaginary, the spatial, and something on the fringe of the occult. But mostly, it contains simply the unaddressed bodily leftovers from the work I was engaging with in modules that couldn't be addressed.